"Greg Stolze - A Hunger Like Fire" - читать интересную книгу автора (Stolze Greg)6
6 A new guy comes in and tries to mooch me off of Rick. This new guy is huge—six-four at least, muscle-bound and flat-topped, with gross arm veins that only a steroid dealer could love. He’s awful. He has on a purplish shirt that aches to be retro but is really just retardo. Fat gold links. Weight-lifted man-boobs that are probably bigger than mine. He’s Omega Travolta, some inbred result of a million years of anony- mous disco hookups. Not only that, he speaks the line out of a hundred B- movies, mid-season TV pilots and Charles Atlas print ads. “Hey baby, why don’t you dance with a real man?” I give him one out. “I’m here with Rick,” I say, pointing. “You’re here with Prick?” he asks. “Sweetie, I got all the prick you need right here.” And lord help me, he grabs my hand and puts it on his crotch. Okay Omega. You had your chance. “You are inadequate,” I tell him, and I don’t bother to yell it. I’m speaking directly to a specific part of Omega’s mind, the part of every mind that craves discipline and punishment and longs to willfully obey a strong leader. I seize that part, the sniveling worm of the soul, through Omega’s eyes and twist it beneath me. I can do this very, very well. Lots of men can too.” He can’t ignore this. He can’t doubt it. This is his new truth. His eyes are locked on mine and although he shouldn’t be able to hear me over the thumping club beat, I know that ev- ery word is getting hammered straight into his brain. “You do not have what it takes to make a woman happy. You make women laugh. Women laugh at you all the time.” More than his hand goes limp, and I can see tears starting to drip out of his eyes. Good. “Go home and think about this,” I tell him, and he turns to the door, moving like a man in a very sad dream. This is, I think, my favorite part about being a vampire. 6 ©2004 White Wolf, Inc. All rights reserved. Cover art by Jason Alexander Book design and art direc- Alexander. tion by Pauline Benney. Copy edited by Ana Balka. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical—includ- ing photocopy, recording, Internet posting and electronic |
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