"Valentin Katayev. The Cottage in the Steppe (англ.)" - читать интересную книгу автораput on his wide-brimmed black hat and went out quickly.
"God grant that I am wrong!" Auntie sighed. "Come on, boys, stop wasting time or you'll be late for school," she added and went over to help Pavlik, her favourite, buckle on his satchel, as he had not yet mastered the fairly simple procedure. The day slipped by, a short and, at the same time, an interminably long and dreary November day, full of a vague feeling of expectation, furtive rumour, and endless repetition of the same agonizing words: "Chertkov," "Sofya Andreyevna," "Astapovo," "Ozolin." It was the day of Tolstoi's funeral. Petya had spent all his life on the southern sea coast, in the Novorossiisk steppe region, and had never seen a forest. But now he had a very clear mental picture of Yasnaya Polyana, of woods fringing an overgrown ravine. In his mind's eye Petya saw the black trunks of the ancient, leafless lindens, and the plain pine coffin containing the withered, decrepit body of Lev Tolstoi being lowered into the grave without priest or choir boys attending. And overhead the boy could see the ominous clouds and flocks of crows, exactly like those that circled over the church steeple and the bleak Kulikovo Field in the rainy twilight. As usual, Father returned from his classes when the lamp had been lit in the dining-room. He was excited, happy and deeply moved. When Auntie, not without anxiety, asked him whether he had delivered his speech and what the reaction had been, Vasily Petrovich could not restrain the proud smile that flashed radiantly beneath his pince-nez. "You could have heard a pin drop," he said, taking his handkerchief out bounders to respond so eagerly and seriously. And that goes for the young ladies too. I repeated it for the seventh form of the Maryinsky School." "Were you actually given permission to do so?" "I didn't ask anyone's permission. Why should I? I hold that the literature teacher is fully entitled to discuss with his class the personality of any famous Russian writer, especially when the writer in question happens to be Tolstoi. What is more, I believe that it is my duty to do so." "You're so reckless." Later in the evening some young people, strangers to the family, dropped in: two students in very old, faded caps, and a young woman who also seemed to be a student. One of the youths sported a crooked pince-nez on a black ribbon, wore top-boots, smoked a cigarette and emitted the smoke through his nostrils; the young woman had on a short jacket and kept pressing her little chapped hands to her bosom. For some reason or other they were reluctant to come into the rooms, and remained in the hall talking with Vasily Petrovich for a long time. The deep, rumbling bass seemed to belong to the student with the pince-nez, and the pleading, lisping voice of the young woman kept repeating the same phrase over and over again at regular intervals: "We feel certain that as a progressive and noble-minded person and public figure, you won't refuse the student body this humble request." The third visitor kept wiping his wet shoes shyly on the door mat and blowing his nose discreetly. It turned out that news of Vasily Petrovich's talk had somehow reached the Higher Courses for Women and the Medical School of the Imperial |
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