"Zelazny, Roger - Creatures Of Light And Darkness" - читать интересную книгу автора (Zelazny Roger)

“Then I shall set your feet upon the track. I give you the power to summon me, and in times of need to draw force from the fields of Life and of Death while you are among the Middle Worlds. This will make you invincible. You will report back to me when you feel you need to. If I feel this need, I will reach out after you.”
“Thank you, Master.”
“You will obey all my sendings, instantly.”
“Yes.”
“Go now and rest. After you have slept and eaten again, you will depart and begin your mission.”
“Thank you.”
“This will be your second-last sleep within this House, Wakim. Meditate upon the mysteries it contains.”
“I do so constantly.”
“I am one of them.”
“Master…”
“That is part of my name. Never forget it.”
“Master—how could I?”


THE WAKING OF THE RED WITCH

The Witch of the Loggia stirs in her sleep and cries out twice. Long has she slept now, and deeply. Her familiar rushes to comfort her, but bungles the job and causes her to awaken. She sits up then among cushions in her cathedral-high hall, and Time with Tarquin’s ravishing stride from her divan moves like a ghost, but she sees him and freezes him in his tracklessness with a gesture and a word, and hears then her doubled cry and looks backward with her eyes upon the dreamdark scream-sought thing she’d borne. Let there be ten cannon crashes and remove them from the air and the ear, preserving the nine crowded silences that lie between. Let these be heartbeats, then, and felt throughout the body mystical. In this still center, place a dry skin which has sloughed its snake. Now, let there be no moaning at the bar should a sunken ship return to port. Instead, withdraw from the dreamdark thing, with its rain like rapid-fire rosaries of guilt, cold and untold upon your belly. Think instead of broken horses, the curse of the Dutchman, and perhaps a line by the mad poet Vramin, such as, "”he bulb resurrects the daffodil, within its season.” If you ever loved anything in your life, try to remember it. If you ever betrayed anything, pretend for a moment that you have been forgiven. If you ever feared anything, pretend for an instant that those days are gone and will never return. Buy the lie and hold to it for as long as you can. Press your familiar, whatever its name, to your breast and stroke it till it purrs. Trade life and death for oblivion, but light or dark will reach your bones or your flesh. Morning will come, and with it remembrance.
The Red Witch sleeps within her cathedral-high hall, between the past and the future. Her fleeing rapist of a dream disappears down dark alleyways, while Time ticks history around events. And she smiles now as she sleeps, for Janus is again doing things by halves….
Backward-turned to glory, she dwells in his warm, green gaze.


DEATH, LIFE, THE MAGICIAN AND ROSES

Listen to the world. It is called Blis, and it is not hard to hear at all: The sounds may be laughter, sighs, contented belches. They may be the clog-clog of machinery or beating hearts. They may be the breathing of multitudes or their words. They may be footsteps, footsteps, the sound of a kiss, a slap, the cry of a baby. Music. Music, perhaps. The sound of typewriter keys through the Black Daddy Night, consciousness kissing paper only? Perhaps. Then forget the sounds and the words and look at the world.
First, colors: Name one. Red? There’s a riverbank that color, green stream hauled between, snagged on purple rocks. Yellow and gray and black is the city in the distance. Here in the open field, both sides of the river, are pavilions. Pick any color—they’re all about. Over a thousand pavilions, like balloons and tepees and stemless mushrooms, blazing in the midst of a blue field, strung with pennons, full of moving colors that are people. Three lime-bright bridges span the river. The river leads to a creamy sea which swells but seldom breaks. From it, up the river, come barges and boats and other vessels which moor along the banks. More come out of the sky, settling anywhere upon the blue fabric of the field. Their passengers move among the pavilions. They are of all races and sorts. They eat and they talk. They play. They are making the sounds and wearing the colors. Okay?
The odors are of sweet and growing things and kissful come the breezes. When these breezes and these odors reach the fairground, they are altered subtly. There comes up the odor of sawdust, which is hardly unpleasant; and that of perspiration, which cannot be too unpleasant if some of it is your own. Then there are smells of wood-smoke, smells of food, and the clean aroma of alcohol. Smell the world. Taste it, swallow it and hold it in your belly. Burst with it.
… Like the man with the eyepatch and the alpenstock.
He walks among the hucksters and the fillies, fat as a eunuch, but not. His flesh is strangely flesh-colored, and his right eye is a gray wheel, rolling. A week's growth of beard frames his face, and all colors are missing from the blot of his garments. His gait is steady. His hands are hard.
He stops to buy a mug of beer, moves to watch a cockfight.
He wagers a coin on the smaller bird, which tears the larger apart and so pays for his beer.
He watches the deflowering-show, samples the narcotics exhibit, foils a brown man in a white shirt who attempts to guess his weight. A short man with close-set dark eyes then emerges from a nearby tent, moves his side, tugs upon his sleeve.
“Yes?” His voice seems centrally located, that deeply potent does it stir.
“I see by your outfit you may be a preacher.”
“Yes, I am—of the non-theistic, non-sectarian sort.”
“Very good. Would you care to earn some money? It will only take a few moments.”
“What would you have me do?”
“A man is going to commit suicide and be buried in that tent. The grave is already dug and all the tickets have been sold. The audience is growing restless now, though. The performer won’t do it without proper religious accompaniment, and we can’t sober up the preacher.”
“I see. It will cost you ten.”
“Make it five?”
“Get yourself another preacher.”
“All right ten! C’mon! They’re starting to clap their hands and boo!”
He moves into the tent, blinks his eyes.
“Here’s the preacher!” calls out the emcee. “We’re ready to go ahead now. —What’cher name, Dad?”
“Sometimes I'm called Madrak.”
The man stops, turns and stares at him, licks his lips.
“I… didn’t realize.”
“Let’s be on with it”
“Okay, sir. —Make way here! Coming through! Hot stuff!”
The crowd parts. There are perhaps three hundred people within the tent. Overhead lights blaze down upon a roped-in circle of bare earth in which a grave has been dug. Insects fly in rings through falling dust within the ladders of light. An opened coffin lies beside the opened grave. On a small platform of wood is a chair. The man seated upon the chair is perhaps fifty years of age. His face is flat and full of wrinkles, his complexion pale. His eyes bulge slightly. He wears only a pair of shorts, and he has much gray hair upon his chest, his arms, his legs. He leans forward and squints as the two approach through the crowd.
“All set, Dolmin,” says the small man.