"Destroyer 078 - Blue Smoke and Mirrors.pdb" - читать интересную книгу автора (Williams Remo)"Okay, you get those jeans. Bring them back here. When you go on duty, I'm going to be under your bed waiting for this guy."
OSI Special Agent Robin Green waited five hours for the doorknob to turn. It was cramped under the bed. There was not enough room for her to lie on her side. Lying on her back was comfortable except that every time she exhaled, her blouse kept hanging up on the bedsprings. A couple of times she had to pinch her nose shut to keep from sneezing. Dust. She never heard the doorknob turn. She had one eye on the slit of light that marked the bottom of the door. It never widened, never moved, never changed, except when someone walked out in the corridor and interrupted the light. The hours dragged past. Robin Green grew bored; her nerves, keyed up for hours, started to wind down. She was yawning when she glanced at her watch and saw that it was 0200 hours. She shifted under the bed and happened to turn her head. She saw the boots. They were white, with some kind of jigsaw golden tracery all over them. They were just there. For a moment they looked faint and fuzzy; then they came into focus. Robin Green thought it was her eyes coming into focus. The hair on Robin's arms lifted. She could feel the gooseflesh crawl. She could never recall being so afraid. No one had opened the door. She was certain about that. And there was only one door into the room. Then a voice spoke in an eerie, contented tone. "Krahseevah!" it said. "Calvin Klein." The voice seemed particularly pleased. She pulled her sidearm, tried to cock it, but her elbow cracked on the bedsprings. "Damn!" she cried, struggling to squirm out from under the bed. A blouse button hung up on the springs. 15 She tore it free. But another one caught. She cursed her mother, who had bequeathed Robin her D-cup genes. When Robin Green finally tore free, she rolled into a marksman's crouch. She swept the room with her automatic. Nothing. No one. Then she blinked. Something was on the wall. Then it was gone. Robin ran to the wall and ran her fingers over the wallpaper. The wall was cool to the touch. There was nothing there. The paper was unbroken, the wall whole. She banged on it. Solid. It was not hollow. There was no secret door. Yet a moment before, she had seen a car battery disappear into the wall. At least, it looked like a car battery. It was moving so fast, it was blurry and indistinct. Robin Green felt the gooseflesh on her arms loosen. Then she snapped out of it. She plunged through the door and called security on a wall phone. A Klaxon began howling. White-helmeted security police came running. They stopped in their tracks when they saw Robin Green, automatic in hand, her cleavage spilling out of her torn blouse. "Intruder on the facility," she called. "Search every room!" "One minute, Sergeant." "OSI special agent," Robin Green corrected, flashing her ID card. "Now, get moving!" "No, you hold on," one of the SP's said firmly. "Let's hear your story first before we turn the LCF upside down. How did you rip your blouse?" "I was hiding under the bed, waiting for him." "Who?" "The thief." "Thief? Who is he?" 16 "This isn't your room." The SP tapped the half-open door with his truncheon. "It's Risko's. He let me use it." "You and this Risko-how long have you known him? You just friends?" "Damn this chickenshit Personnel Reliability Program! There's a thief on this LCF and he's getting away. Get Risko. He'll corroborate my story." They brought Risko, who nervously told his story. The entire facility was put on maximum Threatcon. Security-alert teams were deployed and every room was searched. The elevator leading to the underground missile-capsule crew was sealed off. By sundown the entire perimeter had been thoroughly searched. No one was found who wore white boots. Nor were Airman Risko's missing jeans found. But an inventory of the locked freezer indicated that two more steaks were missing. Porterhouse. OSI Agent Robin Green sat in the flight security controller's office, her arms folded over her torn blouse. No one would let her change, even though as far as anyone knew, she outranked most of the officers. She shivered. In the next chair, Airman Risko cast quick, hunted glances in her direction. "We're in pretty deep, aren't we?" he muttered. "Worse than you think. I haven't told them about the car battery yet." 2 His name was Remo, and all he wanted was to enjoy a Saturday-afternoon ballgame. Remo sat on a tatami mat in the middle of the bare living-room floor in the first house he had ever truly owned. The big projection TV was on. Remo enjoyed the projection TV because his eyes were so acute that he had to concentrate hard not to see the scanning lines change thirty times each second. This was a new high-definition TV. Its scanning lines changed sixty times a second. It was a legacy of years of training in the art of Sinanju, the sun source of the martial arts. One of the many downsides he had come to tolerate. Remo thought it was ironic that the more attuned his mind and body became to the physical universe, the more trouble he had with manmade technology. He first recognized that this could be a problem when, in the early years of his training, he did a harmless thing. He happened to eat a fast-food hamburger. Remo nearly died of monosodium-glutamate poisoning. After that, he found it hard to watch movies. He had never thought much about how film worked before- how the illusion of action was created by light shining through the rapidly moving picture frames. Movies, of course, did not actually move. They just seemed to, 17 18 much the way old flip-action book drawings appeared to move when the pages were fanned. The human eye read the changing images as action. Remo's more-than-human eyes read them as a series of stills. Only the sound was uninterrupted. Over the years, Remo had learned to adjust his vision so that movies still moved for him, but the concentration required sometimes gave him eyestrain. Television was the same. The pixels-the tiny phosphorescent dots of light which changed every one-thirtieth of a second-created the illusion of moving images. In fact, it was a lot like movies, which changed at a mere twenty-four frames a second, and Remo had to learn to adjust to that phenomenon too. Sometimes he could see the pixels change, line by line, on old TV's. It was distracting. He didn't have quite as hard a time with high-definition TV's. |
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