"Freda Warrington - A Taste of Blood Wine" - читать интересную книгу автора (Warrington Freda) Charlotte was utterly helpless, she could not save them from the
dark birds that bore down inexorably on vast black wings. But she would not desert them. She stopped and faced the creatures, and the agony of waiting became an electric heaviness in the pit of her stomach. Strangely thrilling, it felt, as if she dreaded the raptors and desired them at the same time. Distance had made them seem slow; but God, they were flying so fast and their dark evil faces were filling the sky. Then their mouths opened and the steaming red coils of their tongues came lashing out… Every organ of her body tightened and she awoke, gagging with fear. Yet mingled with the nightmare she experienced a pleasure so intense that it left her breathless, shocked. The darkness oppressed her, a warm breathing weight from which she could not struggle free… drenched in sweat, she found herself sitting up in bed, in the act of switching on the bedside lamp before she was properly awake. She sat gasping for breath, her whole body a mass of pins and needles. Gradually the racing of her heart began to ease. The light shone dim and warm on the oak panelling. A moody room, which sometimes seemed homely and comforting, at others full of dark, frightening corners. It seemed alien now, through the veil of night terror. Charlotte knew the nightmare was due to her fever, but the heavy spell wouldn't break. She glanced at the clock; three in the morning. Picking up the photograph of her mother that stood on the bedside table, she lay back and studied it. file:///K|/eMule/Incoming/Freda%20Warrington%20-%20A%20Taste%20of%20Blood%20Wine.html (43 of 711)28-12-2006 21:38:58 A Taste was at times like this that she would have liked her there, to make her feel safe. And sometimes she was sure her mother was actually beside her, the cool hand on her forehead not imagined but truly felt. It will be all right, darling. Go to sleep. The portrait was more an icon than a real memory; she seemed so far away, this slender, stately woman in Edwardian clothes. An unusual face, slightly too long but balanced by large, deep-lidded eyes, a full-lipped mouth. The nose was short and delicate. Although her expression was solemn, a slight lack of symmetry in the features made her look girlish, exquisitely pretty under a mass of shining hair. The faded sepia had been hand-tinted with coloured inks. The eyes were a rich violet-grey, the hair a warm brown frosted with golden-blonde. Charlotte knew the colours were true, because she was the image of her mother. Annette Neville had died giving birth to her last child, Madeleine. Charlotte had been less than two years old then, too small to remember much, yet there were fleeting impressions that remained; a swish of long skirts, cool white hands. Her father and mother |
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