"Kurt Vonnegut - The Sirens of Titan" - читать интересную книгу автора (Vonnegut Kurt)

parvenu Mr. Constant of Hollywood to spend his entire visit treed on the fountain by a
thoroughbred dog. Mrs. Rumfoord might even have the fountain turned on.
It was possible that she was watching Constant. The mansion was a minute's walk from the
fountain — set off from the jungle by a mowed swath three times the width of the path.
The Rumfoord mansion was marble, an extended reproduction of the banqueting hall of
Whitehall Palace in London. The mansion, like most of the really grand ones in Newport, was a
collateral relative of post offices and Federal court buildings throughout the land.
The Rumfoord mansion was an hilariously impressive expression of the concept: People of
substance. It was surely one of the greatest essays on density since the Great Pyramid of Khufu.
In a way it was a better essay on permanence than the Great Pyramid, since the Great Pyramid
tapered to nothingness as it approached heaven. Nothing about the Rumfoord mansion
diminished as it approached heaven. Turned upside down, it would have looked exactly the
same.
 The density and permanence of the mansion were, of course, at ironic variance with the fact
that the quondam master of the house, except for one hour in every fifty-nine days, was no more
substantial than a moonbeam.
Constant climbed down from the fountain, stepping onto the rims of bowls of ever-increasing
sizes. When he got to the bottom, he was filled with a strong wish to see the fountain go. He
thought of the crowd outside, thought of how they, too, would enjoy seeing the fountain go. They
would be enthralled — watching the teeny-weeny bowl at the tippy-tippy top brimming over into
the next little bowl . . . and the next little bowl's brimming over into the next little bowl . . . and
the next little bowl's brimming over into the next bowl . . . and on and on and on, a rhapsody of
brimming, each bowl singing its own merry water song. And yawning under all those bowls was
the upturned mouth of the biggest bowl of them all . . . a regular Beelzebub of a bowl, bone dry
and insatiable . . . waiting, waiting, waiting for that first sweet drop.
Constant was rapt, imagining that the fountain was running. The fountain was very much like
an hallucination — and hallucinations, usually drug-induced, were almost all that could surprise
and entertain Constant any more.
Time passed quickly. Constant did not move.
Somewhere on the estate a mastiff bayed. The baying sounded like the blows of a maul on a
great bronze gong.
Constant awoke from his contemplation of the fountain. The baying could only be that of
Kazak, the hound of space. Kazak had materialized. Kazak smelled the blood of a parvenu.
Constant sprinted the remainder of the distance to the house.
An ancient butler in knee breeches opened the door for Malachi Constant of Hollywood. The
butler was weeping for joy. He was pointing into a room that Constant could not see. The butler
was trying to describe the thing that made him so happy and full of tears. He could not speak.
His jaw was palsied, and all he could say to Constant was, "Putt putt — putt putt putt."
The floor of the foyer was a mosaic, showing the signs of the zodiac encircling a golden sun.
Winston Niles Rumfoord, who had materialized only a minute before, came into the foyer and
stood on the sun. He was much taller and heavier than Malachi Constant — and he was the first
person who had ever made Constant think that there might actually be a person superior to
himself. Winston Niles Rumfoord extended his soft hand, greeted Constant familiarly, almost
singing his greeting in a glottal Groton tenor.
"Delighted, delighted, delighted, Mr. Constant," said Rumfoord. "How nice of you to
commmmmmmmme."
"My pleasure," said Constant.
"They tell me you are possibly the luckiest man who ever lived."
"That might be putting it a little too strong," said Constant.
"You won't deny you've had fantastically good luck financially," said Rumfoord.