"Van Dine, S S - Philo Vance 04 - The Bishop Murder Case" - читать интересную книгу автора (Van Dine S S)"Shot from close range, you mean?" Vance shook his head. "No, Sergeant. I was referring to the fact that the deceased's feet are pointing toward the basement door, and that, though his arms are extended, his legs are drawn up. Is that the way you'd say a man would fall who'd been shot through the heart?" Heath considered the point. "No-o," he admitted. "He'd likely be more crumpled up; or, if he did fall over back, his legs would be straight out and his arms drawn in." "Quite., And regard his hat. If he had fallen backwards it would be behind him, not at his feet." "See here, Vance," Markham demanded sharply; "what's in your mind?" "Oh, numberless things. But they all boil down to the wholly irrational notion that this defunct gentleman wasn't shot with a bow and arrow at all." "Then why, in God's name, " "Exactly! Why the utter insanity of the elaborate stage-setting?, My word, Markham! This business is ghastly." As Vance spoke the basement door opened, and Doctor Doremus, shepherded by Detective Burke, stepped jauntily into the areaway. He greeted us breezily and shook hands all round. Then he fixed a fretful eye on Heath. He knelt down and began running his practised fingers over the body. Markham stood for a moment looking on, but presently he turned to Heath. "While the doctor's busy with his examination, Sergeant, I'll go up-stairs and have a chat with Professor Dillard." Then he addressed himself to Doremus. "Let me see you before you go, doctor." "Oh, sure." Doremus did not so much as look up. He had turned the body on one side, and was feeling the base of the skull. CHAPTER III. A PROPHECY RECALLED (Saturday, April 2; 1.30 p.m.) When we reached the main hall Captain Dubois and Detective Bellamy, the finger-print experts from Headquarters, were just arriving. Detective Snitkin, who had evidently been watching for them, led them at once toward the basement stairs, and Markham, Vance and I went up to the second floor. The library was a large, luxurious room at least twenty feet deep, occupying the entire width of the building. Two sides of it were lined to the ceiling with great embayed bookcases; and in the centre of the west wall rose a massive bronze Empire fireplace. By the door stood an elaborate Jacobean side-board, and opposite, near the windows which faced on 75th Street, was an enormous carved table-desk, strewn with papers and pamphlets. There were many interesting objets-d'art in the room; and two diagrammatic Dьrers looked down on us from the tapestried panels beside the mantel. All the chairs were spacious and covered with dark leather. Professor Dillard sat before the desk, one foot resting on a small tufted ottoman; and in a corner near the windows, huddled in a sprawling armchair, was his niece, a vigorous, severely tailored girl with strong, chiselled features of classic cast. The old professor did not rise to greet us, and made no apology for the omission. He appeared to take it for granted that we were aware of his disability. The introductions were perfunctory, though Markham gave a brief explanation of Vance's and my presence there. "I regret, Markham," the professor said, when we had settled ourselves, "that a tragedy should be the reason for this meeting; but it's always good to see you., I suppose you will want to cross examine Belle and me. Well, ask anything you care to." Professor Bertrand Dillard was a man in his sixties, slightly stooped from a sedentary studious life: clean-shaven, and with a marked brachycephalic head surmounted with thick white hair combed pompadour. His eyes, though small, were remarkably intense and penetrating; and the wrinkles about his mouth held that grim pursed expression which often comes with years of concentration on difficult problems. His features were those of the dreamer and scientist; and, as the world knows, this man's wild dreams of space and time and motion had been actualized into a new foundation of scientific fact. Even now his face reflected an introspective abstraction, as if the death of Robin were but an intrusion upon the inner drama of his thoughts. |
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