"Carrie Richerson - Artistic License" - читать интересную книгу автора (Richardson Carrie)CARRIE RICHERSON ARTISTIC LICENSE * Nel mezzo del cammin di nostra vita mi ritrovai per una selva oscura . . . --Dante, Inferno, Canto I THE CLIFF FACE WAS GIVING me trouble. I teased out another curl of the stiff, brittle basalt -- stretching, stretching . . . and winced in pain as it snapped back on me. Damn. I rubbed my aching head. Serves me right, my old art school professor would have said. Patience, Antonia, patience! he would chide. You must work with the material, not against it. Yeah, right. My theory, on the other hand, has always been, If at first you don't succeed, try a bigger hammer. I visualized a very large hammer. WHAM! Shocked grains aligned and surrendered themselves to pliability. That's more like it, I thought as I pulled the rock, no more resistant than thick taffy now, into a tube shape. Of course, this "taffy" was part of several hundred thousand tons of cliff, and any mistake on my part would bring it all thundering down around my sunburned a mosquito the size of a small hummingbird, pushed my sweat-spiked hair back out of my eyes, and worked my way with intense care along the row of basalt columns, hollowing some into tubes, leaving others in their natural state. When finished, if I did my job right, my olympian wind flute would be indistinguishable from the natural cliff face--until the wind blew. Then it would yield everything from soft whistling to organ thunder-- and maybe the voice of the god herself, in a really big blow. The prospect of that caliber of sound rattling my client from his bed some night was almost enough to make me cheerful. I had nothing against Lane Forrestal -- except that he was rich, handsome, privileged, and had about as much aesthetic sensibility as the rock I was goosing. He'd hired me to transform a square mile of northwest Georgia hills into a pocket Tahiti-- and he was giving me free rein to embellish the project any way I wanted. Fine. For as much money as I was charging him, he could have his ecological joke -- and I'd indulge a little whimsy of my own. Forrestal had wanted the best landscape Artist in the world; he didn't even flinch at my price or my stipulations. It didn't help my opinion of him that he'd been so aristocratically nice about it. I was halfway along the cliff when the back of my brain began to itch. I knew without turning around that my audience was back. Every day for the last week, she'd been watching me from the veranda of Forrestal's mansion. She must have had more than a touch of Talent herself for me to be so sensitive to her presence, but she wasn't trained and didn't know how to shield herself. She |
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