"Richard Powers - The Gold Bug Variations" - читать интересную книгу автора (Powers Richard)missing: the amateur's gloss that always
made the piece so difficult to listen to when he was in the same room now left it unbearable in his silence. "Here it comes. There What a chord. Hear? The left hand, the interior dissonance... ?" Every embedded line became painfully apparent with no one there to point it out. Only when the reprise, the last da capo bars resolved their suspension and fell back into generating inertness did I leave, lock the place, and climb the blocks back to the branch. Two hours late in returning. My colleagues, old maid Marians to a man, seeing me drag in late, stared as if I had just sprouted a full-fledged, handlebar-mustached mania. One of the eternally punctual, I had committed blatant inconsistency. Settling behind the Reference Desk as casually as possible, I resumed answering the public's questions as if nothing had happened. But everything had. I worked like the worst of bush-leaguers. It took me twenty minutes to identify, for a polite woman not a funny name beginning with a vowel and probably lying in Africa or India. She and my atlas at last compromised on the Irrawaddy. I did almost as poorly naming the one-armed pro baseball player from the forties who puts in an appearance every five years and should have been child's play. By four, badly in need of a break despite less than an hour's work, already suspecting the break I needed, I attended to the Quote Board. Old institution, child of the fresh days of my M.L.S., when I still believed in the potential of democratically available facts: the Quote Board began as my experiment in free expression. An open corkboard with blank cards broadcast a standing invitation to "Add your favorite passage here." We did well for a while, if not producing any transcendental insights. But the inevitable appearance of the limerick Ladies from Lunt and the Lonely Master Painters soon forced the notice "All quotes subject to final approval by Staff." After-the-fact justification of censorship, first fatal |
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