"Nixon, Joan Lowery - The Specter" - читать интересную книгу автора (Nixon Joan Lowery)

Joan Lowery Nixon: The Specter


CHAPTER 1

The whisper strikes through the darkness, and I struggle to meet it, clutching at the sound.
"Sikes!" It comes again, a terrifying hiss.
Did something in the darkness move? Is something there? I grope for the light cord that dangles over the metal headboard of my hospital bed.
"Who's there?" I stammer, and the sound of my voice in that dark room frightens me even more.
No one answers, but I can feel the tension of someone listening. My fingers jerk the cord, and I swing my feet over the edge of the bed. With the courage that comes only from that rush of light I jump up and throw back the white cotton curtain that separates my bed from that of the child by the window.
Through the guardrail she stares at me with enormous, deep blue eyes in a face that is as pale as her hair. It's the first time she's opened them since she was brought to the hospital this morning. It's as though the whisperer had broken a spell.
We are two scared people confronting each other. Her small body is a rigid board, her hands like white clamps on the edges of the mattress.
"Sikes?" It's a question, and her glance darts about the room.
Her voice is so thin, so terrified, that I put the rail down and sit on the edge of her bed. I grasp her right hand, uncoiling her taut fingers and wrapping them in my own.
"Sikes was here," she says.
"Don't be scared," I tell her. "Look around the room. I'm the only one here."
I can feel her begin to relax, cautiously, a little cat staring out the territory. I sit with her quietly because I don't know what to say.
Mrs. Rosa Cardenas, the round little nurse's aide who gives back rubs the way she'd knead bread, fills me each day with fruit juice and hospital gossip. Through her I know that this little girl, who looks as though she's about nine or ten, had been with her parents in a fiery one-car smashup on I-10, heading toward the hill country out of San Antonio. Her parents had been killed, but she had come out of it with what they hoped was nothing more than a concussion.
I also know that she has been unconscious from the time she was thrown from the car; so I jump when she suddenly says, "Sikes killed my father."
It's creepy. I don't want to handle it. I jab at the button for the night nurse.
"He was here, you know," she says.
I don't know anything. Yes, someone had whispered. But maybe it was this kid. I had first thought someone had been in the room, but I hadn't actually seen anyone. Sikes? Who was Sikes? I hit the button again, wishing the nurse would hurry.
"Don't go away," the girl says. Her fingers cling to mine so rightly it's painful.
"Hey, it's all right," I say. "I'm in the bed next to yours. I'm not going anywhere."
The anger comes back with a rush, and I tuck it around me, hating my body that has brought me to this place.
"Who are you?" the girl asks.
"Dina Harrington," I answer. Then I remember that no one in the hospital knows who she is. They found a wallet with a driver's license with her father's name on it. Out of state, with an address that doesn't exist, according to Mrs. Cardenas.
There was no identification for the mother. Whatever was in the car had burned. Mrs. Cardenas, having a brother-in-law in the police department, is a great source of information.
"You haven't told me your name," I say. I work the call button.
"Julie," she answers. Her eyes never leave my face.
It bothers me that she isn't asking the right questions. I don't expect her to gasp "Where am I?" like in an old movie. But shouldn't she call for her mother? Or try to find out what happened? Is she in some kind of state of shock?
The door flies open, and Mrs. Marsh, the tall nurse with the mole on her chin, comes in. There's a black hair growing out of the mole, and when she talks to me, I go crazy trying not to stare at that mole.
"Mrs. Marsh never smiles," I once told Mrs. Cardenas.
Mrs. Cardenas shrugged. "She has problems."'
"Who hasn't?"
"Her husband told her he wanted a bigger house. They sold their old house. She went out looking at model homes, and he took off with the money and the receptionist in his office. !El diablo!"
"She's awake," I tell Mrs. Marsh. "She thinks someone was in the room. She—"
I stop in mid-sentence as Mrs. Marsh briskly and efficiently begins doing all the temperature, pulse, and straightening-up things that nurses do, seemingly ignoring me. She shoos me out of the way.
"Get back in bed, Dina," she says. "Leave the light on, please. The doctor on duty will be here in a few minutes." She yanks the curtain back into place between our two beds and leaves the room.
The door swings shut without a sound, but Julie's voice is like a shiver behind that over-laundered barricade.
"I don't want to be alone," she whimpers. "Could you pull back the curtains?"
"Sure." I manage it with one swift sweep of my arm.
This rime it's my own bed I sit on, dangling my legs over the side.
"Don't go away," Julie tells me.
"I'm here," I say. "I'll be here a long rime after you've gone home with your relatives."
"I haven't got any."
It dawns on me that she knows her mother is dead, too. I shudder. "Don't you have a grandmother? An aunt? Somebody?"
"No."
We've got something in common, although I've had seventeen years to get used to it.
The door opens, and I quickly swing my legs up on the bed and pull the blanket up to my chin, covering my clumsy cotton gown. A stocky man with bristling yellow hair strides into the room. He's wearing the traditional white coat, but green plaid slacks sack out at the bottom like two grasshopper legs. Mrs. Cardenas says that Dr. Paull is going to be a good doctor someday, when he starts liking his patients; but for now he's my least favorite person around the hospital.