"Paul J. McAuley - Cross Roads Blues" - читать интересную книгу автора (Mcauley Paul J)The second man, skinny and mournful, said, "I heard he been on the radio in Detroit, singin spirituals. Shit, he been round this country a couple three times now." "Race records are a big thing in New York," Turner said, already in deeper than he'd intended. "That's why we're very interested in Robert Johnson." "What they know bout the blues in New York?" the old man said. "You go tell your boss that down here is the rightful home of the blues, no place else. Why, I play harmonica myself. I get the blues real bad sometimes." The mournful man said, "Bobby Johnson, he got 'em worse of all." "He got a mojo hand, no mistake," the old man said, and drank from the enamel jug and smacked his lips. "They say ol Legba gave the boy a lesson in the blues, in exchange for his soul," the mournful man said, and there was a hush as if an angel had passed overhead. The old man took another drink and said, "Well I don't know if that be true, but I do know one time Bobby Johnson couldn't play a lick to save himself. I got the story straight from Son House. Bobby Johnson, he could play harmonica right enough, but he was always fixin after playin gitar. Hung out every joint and dance and country picnic there was, pesterin the players to give him a chance, but he was so bad it wasn't even funny. Anyway, he went away maybe a year, and I don't know if he went to the crossroads with ol Legba or not, but Son House told me when he came back he was carryin a gitar, and go ahead and got himself outside before the boy began. But that time it was all changed. That time, he tol me, the music he heard Bobby Johnson make put the hair on his head to standin." It had the air of a story told many times. There was a silence, and then the mournful man said, "He near to burnt down the place tonight, and that's the truth." The old man said, "Son House tol me Bobby Johnson tol him a man called Ike Zimmerman taught him how to play, but what truth's in that I don't rightly know." Turner, whose first name was Isaac, felt an airy thrill. The burly man in the bib coveralls hauled himself to his feet, using as a support one of the posts that propped up the corrugated tin roof that sloped above the porch. He pointed at Turner and said, "You fools tell this stranger whatever's on your minds, an you don't know who he is." "He tol you he scouting talent, Jake," the old man said. He told Turner, "You come on down to Mr Willis's dry goods store tomorrow, Mister New York, I show you stuff on the harmonica you ain't never before heard." "He ain't no scout," the burly man said. "He got the look of the law about him." He came down the steps towards Turner, a mean glint in his eyes. "I'm just passing through," Turner said, and raised his hand to his chest, ready to collapse the Oppenheimer Pinch if he had to. |
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