"Barry N. Malzberg - A Galaxy Called Rome" - читать интересную книгу автора (Malzberg Barry N) 9
A Galaxy Called Rome by Barry N. Malzberg Her condition rattling in the hold of the ship as it moves on tachyonic drive seems to approximate theirs; although they are deprived of consciousness, that quality seems to be almost irrelevant to the condition of hyperspace, and if there were any way that she could bridge their mystery, she might well address them. As it is, she must settle for imaginary dialogues and for long, quiescent periods when she will watch the monitors, watch the rainbow of hyperspace, the collision of the spectrum, and say nothing whatsoever. Saying nothing will not do, however, and the fact is that Lena talks incessantly at times, if only to herself. This is good because the story should have much dialogue; dramatic incident is best impelled through straightforward characterization, and Lena's compulsive need, now and then, to state her condition and its relation to the spaces she occupies will satisfy this need. 10 A Galaxy Called Rome by Barry N. Malzberg In her conversation, of course, she often addresses the embalmed. “Consider,” she says to them, some of them dead eight hundred years, others dead weeks, all of them stacked in the hold in relation to their status in life and their ability to hoard assets to pay for the process that will return them their lives, “Consider what's going on here,” pointing through the hold, the colors gleaming through the portholes onto her wrist, colors dancing in the air, her eyes quite full and maddened in this light, which does not indicate that she is mad but only that the condition of hyperspace itself is insane, the Michelson-Morley effect having a psychological as well as physical reality here. “Why it could be me dead and in the hold and all of you here in the dock watching the colors spin, it's all the same, all the same faster than light,” and indeed the twisting and sliding effects of 11 A Galaxy Called Rome by Barry N. Malzberg the tachyonic drive are such that at the moment of speech what Lena says is true. |
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