"Henry Kuttner - Vintage Season" - читать интересную книгу автора (Kuttner Henry)VINTAGE SEASON
by Henry Kuttner THREE PEOPLE came up the walk to the old mansion just at dawn on a perfect May morning. Oliver Wilson in his pyjamas watched them from an upper window through a haze of con- flicting emotions, resentment predominant. He didn't want them there. They were foreigners. He knew only that much about them. They had the curious name of Sancisco, and their first names, scrawled in loops on the lease, appeared to be Omerie, Kleph and Klia, though it was impossible as he looked down upon them to sort them out by signature. He hadn't even been sure whether they would be men or women, and he had expected something a little less cosmopolitan. Oliver's heart sank a little as he watched them follow the taxi driyer up the walk. He had hoped for less self-assurance in his UEtwelcome tenants, because he meant to force them out of the house if he could. It didn't look very promising from here. The man went first. He was tail and dark, and he wore his clothes and carried his body with that peculiar arrogant assur- antfe that comes from perfect confidence in every phase of one's being. The two women were laughing as they followed beautiful, each in its own exotic way, but the first thing Oliver thought of when he looked at them was. Expensive! It was not only that patina of perfecton that seemed to dwell in every line of their incredibly flawless garments. There are degrees of wealth beyond which wealth itself ceases to have significance. Oliver had seen before, on rare occasons, something like this assurance that the earth turning beneath their well-shod feet turned only to their whim. It puzzled him a little in this case, because he had the feeling as the three came up the walk that the beautiful cloth- ing they wore so confidently was not clothing they were ac- customed to. There was a curious air of condescension in the way they moved. Like women in costume. They minced a little on their delicate high heels, held out an arm to stare at the cut of a sleeve, twisted now and then inside their garments as if the clothing sat strangely on them, as if they were ac- customed to something entirely different. And there was an elegance about the way the garments fitted them which even to Oliver looked strikingly unusual. Only an actress on the screen, who can stop time and the film to adjust every disarrayed fold so that she looks perpetually perfect, might appear thus elegantly clad. But let these women move as they liked, and each fold of their clothing followed perfectly with the movement and fell perfectly into place |
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