"Hemingway, Ernest - The Sun Also Rises" - читать интересную книгу автора (Hemingway Ernest)

"And where are you going to be, Robert? It's my own fault, all right. Perfectly my own fault. When I made you get rid of your little secretary on the magazine I ought to have known you'd get rid of me the same way. Jake doesn't know about that. Should I tell him?"
"Shut up, Frances, for God's sake."
"Yes, I'll tell him. Robert had a little secretary on the magazine. Just the sweetest little thing in the world, and he thought she was wonderful, and then I came along and he thought I was pretty wonderful, too. So I made him get rid of her, and he had brought her to Provincetown from Carmel when he moved the magazine, and he didn't even pay her fare back to the coast. All to please me. He thought I was pretty fine, then. Didn't you, Robert?
"You mustn't misunderstand, Jake, it was absolutely platonic with the secretary. Not even platonic. Nothing at all, really. It was just that she was so nice. And he did that just to please me. Well, I suppose that we that live by the sword shall perish by the sword. Isn't that literary, though? You want to remember that for your next book, Robert.
"You know Robert is going to get material for a new book. Aren't you, Robert? That's why he's leaving me. He's decided I don't film well. You see, he was so busy all the time that we were living together, writing on this book, that he doesn't remember anything about us. So now he's going out and get some new material. Well, I hope he gets something frightfully interesting.
"Listen, Robert, dear. Let me tell you something. You won't mind, will you? Don't have scenes with your young ladies. Try not to. Because you can't have scenes without crying, and then you pity yourself so much you can't remember what the other person's said. You'll never be able to remember any conversations that way. Just try and be calm. I know it's awfully hard. But remember, it's for literature. We all ought to make sacrifices for literature. Look at me. I'm going to England without a protest. All for literature. We must all help young writers. Don't you think so, Jake? But you're not a young writer. Are you, Robert? You're thirty-four. Still, I suppose that is young for a great writer. Look at Hardy. Look at Anatole France. He just died a little while ago. Robert doesn't think he's any good, though. Some of his French friends told him. He doesn't read French very well himself. He wasn't a good writer like you are, was he, Robert? Do you think he ever had to go and look for material? What do you suppose he said to his mistresses when he wouldn't marry them? I wonder if he cried, too? Oh, I've just thought of something." She put her gloved hand up to her lips. "I know the real reason why Robert won't marry me, Jake. It's just come to me. They've sent it to me in a vision in the Cafй Select. Isn't it mystic? Some day they'll put a tablet up. Like at Lourdes. Do you want to hear, Robert? I'll tell you. It's so simple. I wonder why I never thought about it. Why, you see, Robert's always wanted to have a mistress, and if he doesn't marry me, why, then he's had one. She was his mistress for over two years. See how it is? And if he marries me, like he's always promised he would, that would be the end of all the romance. Don't you think that's bright of me to figure that out? It's true, too. Look at him and see if it's not. Where are you going, Jake?"
"I've got to go in and see Harvey Stone a minute."
Cohn looked up as I went in. His face was white. Why did he sit there? Why did he keep on taking it like that?
As I stood against the bar looking out I could see them through the window. Frances was talking on to him, smiling brightly, looking into his face each time she asked: "Isn't it so, Robert?" Or maybe she did not ask that now. Perhaps she said something else. I told the barman I did not want anything to drink and went out through the side door. As I went out the door I looked back through the two thicknesses of glass and saw them sitting there. She was still talking to him. I went down a side street to the Boulevard Raspail. A taxi came along and I got in and gave the driver the address of my flat.




7


As I started up the stairs the concierge knocked on the glass of the door of her lodge, and as I stopped she came out. She had some letters and a telegram.
"Here is the post. And there was a lady here to see you."
"Did she leave a card?"
"No. She was with a gentleman. It was the one who was here last night. In the end I find she is very nice."
"Was she with a friend of mine?"
"I don't know. He was never here before. He was very large. Very, very large. She was very nice. Very, very nice. Last night she was, perhaps, a little--" She put her head on one hand and rocked it up and down. "I'll speak perfectly frankly, Monsieur Barnes. Last night I found her not so gentille. Last night I formed another idea of her. But listen to what I tell you. She is trиs, trиs gentille. She is of very good family. It is a thing you can see."
"They did not leave any word?"
"Yes. They said they would be back in an hour."
"Send them up when they come."
"Yes, Monsieur Barnes. And that lady, that lady there is some one. An eccentric, perhaps, but quelqu'une, quelqu'une!"
The concierge, before she became a concierge, had owned a drink-selling concession at the Paris race-courses. Her life-work lay in the pelouse, but she kept an eye on the people of the pesage, and she took great pride in telling me which of my guests were well brought up, which were of good family, who were sportsmen, a French word pronounced with the accent on the men. The only trouble was that people who did not fall into any of those three categories were very liable to be told there was no one home, chez Barnes. One of my friends, an extremely underfed-looking painter, who was obviously to Madame Duzinell neither well brought up, of good family, nor a sportsman, wrote me a letter asking if I could get him a pass to get by the concierge so he could come up and see me occasionally in the evenings.
I went up to the flat wondering what Brett had done to the concierge. The wire was a cable from Bill Gorton, saying he was arriving on the _France_. I put the mail on the table, went back to the bedroom, undressed and had a shower. I was rubbing down when I heard the door-bell pull. I put on a bathrobe and slippers and went to the door. It was Brett. Back of her was the count. He was holding a great bunch of roses.
"Hello, darling," said Brett. "Aren't you going to let us in?"
"Come on. I was just bathing."
"Aren't you the fortunate man. Bathing."
"Only a shower. Sit down, Count Mippipopolous. What will you drink?"
"I don't know whether you like flowers, sir," the count said, "but I took the liberty of just bringing these roses."
"Here, give them to me." Brett took them. "Get me some water in this, Jake." I filled the big earthenware jug with water in the kitchen, and Brett put the roses in it, and placed them in the centre of the dining-room table.
"I say. We have had a day."
"You don't remember anything about a date with me at the Crillon?"
"No. Did we have one? I must have been blind."
"You were quite drunk, my dear," said the count.
"Wasn't I, though? And the count's been a brick, absolutely."
"You've got hell's own drag with the concierge now."
"I ought to have. Gave her two hundred francs."
"Don't be a damned fool."
"His," she said, and nodded at the count.
"I thought we ought to give her a little something for last night. It was very late."
"He's wonderful," Brett said. "He remembers everything that's happened."
"So do you, my dear."
"Fancy," said Brett. "Who'd want to? I say, Jake, do we get a drink?"
"You get it while I go in and dress. You know where it is."
"Rather."
While I dressed I heard Brett put down glasses and then a siphon, and then heard them talking. I dressed slowly, sitting on the bed. I felt tired and pretty rotten. Brett came in the room, a glass in her hand, and sat on the bed.