"Shantaram" - читать интересную книгу автора (Gregory David Roberts) "How could I know it, _na? How was it possible for me to know that he was a Spinner? Total verruckt, I tell you. At the start, he looked totally straight to me. Or, maybe, do you think that was a sign? Maybe he was a little bit too straight looking. _Na _ja, ten minutes in the room and er wollte auf der Klamotten kommen. On my best dress! I had to fight with him to save my clothes, der Sprintficker! Spritzen wollte er, all over my clothes! Gibt's ja nicht. And later, when I went to the bathroom for a little sniff of cokes, I came back to see dass er seinen Schwanz ganz tief in einer meiner Schuhe hat! Can you believe it!
In my shoe! _Nicht _zu _fassen." "Let's face it," Karla said gently, "The crazy ones always know how to find you, Ulla." "Ja, leider. What can I say? Crazy people love me." "Don't listen to her, Ulla my love," Didier consoled her. "Craziness is the basis of many a fine relationship. In fact, craziness is the basis of every fine relationship!" "Didier," Ulla sighed, mouthing his name with a smile of exquisite sweetness, "have I told you to get fucked yet?" "No!" he laughed, "But I forgive you for the lapse. Between us, my darling, such things are always implied, and understood." The whisky arrived, in four small flasks, and the waiter prised the tops off two soda bottles with a brass bottle opener that hung from a chain at his belt. He let the tops bounce on the table and fall to the floor, then swished a grimy rag over the wet surface of the table, forcing us to duck and weave as the moisture spilled in all directions. Two men approached our table from different parts of the restaurant, one to speak to Didier and the other with Modena. Ulla used the moment to lean close to me. Under the table she pressed something into my hand-it felt like a small roll of bank notes-and her eyes pleaded with me not to draw attention to it. As she talked to me, I slipped the notes into my pocket without looking at them. "So have you decided how long you're going to stay?" she asked. "I don't really know. I'm in no hurry." "Don't you have someone waiting for you somewhere, or someone you should go to?" she asked, smiling with adroit but passionless coquetry. Seduction was a habit with her. She turned that same smile on her customers, her friends, the waiters, even on Didier, whom she openly disliked-on everyone, in fact, including her lover, Modena. In the months and years that followed, I heard a lot of people criticise Ulla, some of them cruelly, for her flirtations. I didn't agree with them. It seemed to me, as I got to know her well, that she flirted with the world because flirting was the only real kindness she ever knew or shared: it was her way of being nice, and of making sure that people-men- were nice to her. She believed that there wasn't enough niceness in the world, and she said so, in exactly those words, more than once. It wasn't deep feeling, and it wasn't deep thinking, but it was right, as far as it went, and there was no real harm in it. And what the hell, she was a beautiful girl, and it was a very good smile. "No," I lied. "There's no-one waiting, and no-one I should go to." "And don't you have any, wie soll ich das sagen, any program? Any plan?" "Not really. I'm working on a book." During the time since the escape, I'd learned that telling people a small part of the truth-that I was a writer-provided me with a useful and flexible cover story. It was vague enough to explain extended stays or sudden departures, and the word research was comprehensive enough to account for inquiries about certain subjects, such as transport and travel and the availability of false documents, that I was sometimes forced to make. Moreover, the cover story guaranteed me a measure of privacy: the simple threat to tell people, at length, of my work in progress usually discouraged all but the most persistently curious. And I was a writer. In Australia I'd written since my early twenties. I'd just begun to establish myself through my first published work when my marriage collapsed, I lost the custody of my daughter, and I lost my life in drugs, crime, imprisonment, and escape. But even as a fugitive, writing was still a daily custom and part of my instinctual routine. Even there, in Leopold's, my pockets were full of notes, scribbled onto napkins, receipts, and scraps of paper. I never stopped writing. It was what I did, no matter where I was or how my circumstances changed. One of the reasons I remember those early Bombay months so well is that, whenever I was alone, I wrote about those new friends and the conversations we shared. And writing was one of the things that saved me: the discipline and abstraction of putting my life into words, every day, helped me to cope with shame and its first cousin, despair. "Well, Scheisse, I don't see what's to write about in Bombay. It's no good place, ja. My friend Lisa says this is the place they were thinking about, when they invented the word pits. And I think it is a good place for calling a pits. Better you should go somewhere else to write about, like Rajasthan maybe. I did hear that it's not a pits there, in Rajasthan." "She's right, Lin," Karla added. "This is not India. There are people here from every part of India, but Bombay isn't India. Bombay is an Own-world, a world in itself. The real India is out there." "Out there, where the light stops." "I'm sure you're right," I answered, smiling in appreciation of the phrase. "But I like it here, so far. I like big cities, and this is the third-biggest city in the world." "You're beginning to sound like your tour guide," Karla joked. "I think, maybe, Prabaker has been teaching you too well." "I guess he has. He's been filling my head with facts and figures every day for two weeks-quite amazing really, for a guy who left school when he was seven, and taught himself to read and write here on the streets." "What facts and figures?" Ulla asked. "Well, for instance, the official population of Bombay is eleven million, but Prabu says the guys who run the illegal numbers racket have a better idea of the real population, and they put it at anything from thirteen to fifteen million. And there are two hundred dialects and languages spoken in the city every day. Two hundred, for God's sake! It's like being in the centre of the world." As if in response to that talk of languages, Ulla spoke to Karla quickly and intently in German. At a sign from Modena she stood, and gathered her purse and cigarettes. The quiet Spaniard left the table without a word, and walked toward the open archway that led to the street. "I have a job," Ulla announced, pouting winsomely. "See you tomorrow, Karla. About eleven o'clock, ja? Maybe we'll have dinner together tomorrow night, Lin, if you're here? I would like that. Bye! _Tschus!" She walked out after Modena, followed by leers and admiring stares from many of the men in the bar. Didier chose that moment to visit several acquaintances at another table. Karla and I were alone. "She won't, you know." "Won't what?" "She won't have dinner with you tomorrow night. It's just her way." "I know," I grinned. "You like her, don't you?" "Yeah, I do. What-does that strike you as funny?" "In a way, yes. She likes you, too." She paused, and I thought she was about to explain her remark, but when she spoke again it was to change the subject. "She gave you some money. American dollars. She told me about it, in German, so Modena wouldn't understand. You're supposed to give it to me, and she'll collect it from my place at eleven tomorrow." "Okay. Do you want it now?" "No, don't give it to me here. I have to go now. I have an appointment. I'll be back in about an hour. Can you wait till then? Or come back, and meet me then? You can walk me home, if you like." "Sure, I'll be here." She stood to leave, and I stood also, drawing back her chair. She gave me a little smile, with one eyebrow raised in irony or mockery or both. "I wasn't joking before. You really should leave Bombay." I watched her walk out to the street, and step into the back of a private taxi that had obviously been waiting for her. As the cream-coloured car eased into the slow stream of night traffic, a man's hand emerged from the passenger window, thick fingers clutching a string of green prayer beads, and warning away pedestrians with a wave. |
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