"Cliff Notes - Daisy Miller" - читать интересную книгу автора (Cliff Notes)have been described as being "like the faint and confused
murmurs of a sleeper who has something on his mind and is trying to awaken," but they hint at the concerns of his later masterpieces. Many of them were influenced by the work of an earlier nineteenth-century writer, Nathaniel Hawthorne, who shared with James a fascination with the supernatural, a concern with the restraints that society places on the individual, and an interest in the way the past shapes the present. Where Hawthorne had been obsessed by the American past, however, James was increasingly drawn to Europe. America, he tended to feel, was too new, too raw, and too simple to inspire literature of the highest caliber. He loved the complexities of life in Europe--the sense of history, the traditions, the more elaborate manners of a more formal society. He was also influenced by European authors, notably the French writers Honore de Balzac and Gustave Flaubert, the English writers George Eliot and William Makepeace Thackeray, and the Russian writer Ivan Turgenev. During the 1870s, James made several lengthy trips to Europe, living first in Rome, then in Paris, and finally in England. His decision to live abroad is considered the most important decision of his career as a writer. For it was his years as an American in Europe that provided him his greatest subject dangerously naive residents of the new world confronting the sophisticated, often corrupting subtleties of the old. James explored this international theme (as it is usually called) in his early novels, Roderick Hudson (1876) and The American (1877) and in the first work that won him both critical and popular acclaim, Daisy Miller. Though set in Europe, Daisy Miller was in fact partly inspired by James's experiences in a New York State resort, Saratoga. While writing a travel article on the town, James was struck by the manners of the well-to-do Americans he encountered there. The mothers and daughters all seemed dressed up to do nothing; the teen-aged girls seemed particularly idle. The younger children were wildly undisciplined, allowed to stay up until all hours of the night and often found dozing in the armchairs of hotel lobbies. Here were the prototypes of Mrs. Miller, Daisy, and her brother Randolph. The rest of the inspiration came from Europe, however. During a visit to Rome, Henry walked to the Colosseum with his brother, William. It was a winter evening. The ruin loomed half in moonlight and half in shadow. Standing on the spot where so many Christians had been thrown to the lions horrified William, but Henry saw beauty as well as tragedy in the Colosseum. He |
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