"His Mouth will Taste of Wormwood (coll.)" - читать интересную книгу автора (Brite Poppy Z) 'It won't damage you,' Mama told her, 'and it will be over by morning.'
True to Mama's word, just before dawn Rosalie felt something solid being squeezed out of her. She knew she was losing the last of Theophile. She tried to clamp the walls of her vagina around it, to keep him inside her as long as she could. But the thing was slick and formless, and it slid easily on to the towel Mama had spread between her legs. Mama gathered the towel up quickly and would not let Rosalie see what was inside. Rosalie heard the toilet flush once, then twice. Her womb and the muscles of her abdomen felt as if they had gone through Mama's kitchen grater. But the pain was nothing compared to the emptiness she felt in her heart. The sky is growing lighter, showing her more of the graveyard around her: the corpses borne on the rising water, the maggot-ridden mud. Theophile's face yawns into hers. Rosalie struggles against him and feels his sodden flesh give beneath her weight. She is beyond recognizing her love now. She is frantic; she fights him. Her hand strikes his belly and punches in up to the wrist. Then suddenly Theophile's body opens like a flower made of carrion, and she sinks into him. Her elbows are trapped in the brittle cage of his ribs. Her face is pressed into the bitter soup of his organs. Rosalie whips her head to one side. Her face is a mask of putrescence. It is in her hair, her nostrils; it films her eyes. She is drowning in the body that once gave her sustenance. She opens her mouth to scream and feels things squirming in between her teeth. 'My cherie Rosalie,' she hears the voice of her lover whispering. And then the rain pours down again. Unpleasant. I tore myself screaming from Rosalie — screaming silently, unwilling to wake her. In that instant I was afraid of her for what she had gone through; I dreaded to see her eyes snap open like a doll's, meeting me full in the face. But Rosalie was only sleeping a troubled slumber. She muttered fitful disjointed words; there was a cold sheen of sweat on her brow; she exuded a flowery, powerful smell of sex. I hovered at the edge of the bed and studied her ringed hands clenched into small fists, her darting, jumping eyelids still stained with yesterday's makeup. I could only imagine the ensuing years and torments that had brought that little girl to this night, to this room. That had made her want to wear the false trappings of death, after having wallowed in the truth of it. But I knew how difficult it would be to talk these memories out of her. There could be no consolation and no compensation for a past so cruel. No treasure, no matter how valuable, could matter in the face of such lurid terror. So I assure you that the thing I did next was done out of pure mercy - not a desire for personal gain, or control over Rosalie. I had never done such a thing to her before. She was my friend; I wished to deliver her from the poison of her memories. It was as simple as that. I gathered up my courage and I went back into Rosalie's head. Back in through her eyes and the whorled tunnels of her ears, back into the spongy electric forest of her brain. I cannot be more scientific than this: I found the connections that made the memory. I searched out the nerves and subtle acids that composed the dream, the morsels of Rosalie's brain that still held a residue of Theophile, the cells that were blighted by his death. And I erased it all. I pitied Theophile. Truly I did. There is no existence more lonely than death, especially a death where no one is left to mourn you. But Rosalie belonged to me now. I had her rent a boat. It was easy for her to learn how to drive it: boating is in the Cajun blood. We made an exploratory jaunt or two down through Barataria - where two tiny hamlets much like Rosalie's home village, both bore my name - and I regaled a fascinated Rosalie with tales of burials at sea, of shallow bayou graves, of a rascal whose empty eye sockets dripped with Spanish moss. When I judged her ready, I guided her to a spot I remembered well, a clearing where five enormous oaks grew from one immense, twisted trunk. The five sentinels, we called them in my day. The wind soughed in the upper branches. The swamp around us was hushed, expectant. After an hour of digging, Rosalie's shiny new shovel unearthed the lid and upper portion of a great iron chest. Her brittle hair was stringy with sweat. Her black lace dress was caked with mud and clay. Her face had gone paler than usual with exertion; in the half-light of the swamp it was almost luminescent. She had never looked so beautiful to me as she did at that moment. She stared at me. Her tired eyes glittered as if with fever. 'Open it,' I urged. And the sixth sentinel sat up to greet her. I always took an extra man along when I went into the swamp to bury treasure. One I didn't trust, or didn't need. He and my reliable henchmen would dig the hole and drag the chest to the edge of it, ready to heave in. Then I would gaze deep into the eyes of each man and ask, in a voice both quiet and compelling, 'Who wishes to guard my treasure?' My men knew the routine, and were silent. The extra man - currying favor as the useless and unreliable will do - always volunteered. Then my top lieutenant would take three steps forward and put a ball in the lowly one's brain. His corpse was laid tenderly in the chest, his blood seeping into the mounds of gold or silver or glittering jewels, and I would tuck in one of my mojo bags, the ones I had specially made in New Orleans. Then the chest was sunk in the mire of the swamp, and my man, now rendered trustworthy, was left to guard my treasure until I should need it. I was the only one who could open those chests. The combined magic of the mojo bag and the anger of the betrayed man's spirit saw to that. My sixth sentinel wrapped skeletal arms around Rosalie's neck and drew her down. His jaws yawned wide and I saw teeth, still hungry after two hundred years, clamp down on her throat. A mist of blood hung in the air; from the chest there was a ripping sound, then a noise of quick, choking agony. I hoped he would not make it too painful for her. After all, she was the woman I had chosen to spend eternity with. I had told Rosalie that she would never again have to wriggle out of flimsy costumes under the eyes of slobbering men, and I had not lied. I had told her that she would never have to worry about money any more, and I had not lied. What I had neglected to tell her was that I did not wish to share my treasures — I only wanted her dead, my Hard-luck Rosalie, free from this world that pained her so, free to wander with me through the unspoiled swamps and bayous, through the ancient buildings of a city mired in time. Soon Rosalie's spirit left her body and flew to me. It had nowhere else to go. I felt her struggling furiously against my love, but she would give in soon. I had no shortage of time to convince her. I slipped my arm around Rosalie's neck and planted a kiss on her ectoplasmic lips. Then I clasped her wisp of a hand in mine, and we disappeared together. Calcutta, Lord of Nerves I was born in a north Calcutta hospital in the heart of an Indian midnight just before the beginning of the monsoon season. The air hung heavy as wet velvet over the Hooghly River, offshoot of the holy Ganga, and the stumps of banyan trees on the Upper Chitpur Road were flecked with dots of phosphorus like the ghosts of flames. I was as dark as the new moon in the sky, and I cried very little. I feel as if I remember this, because this is the way it must have been. My mother died in labor, and later that night the hospital burned to the ground. (I have no reason to connect the two incidents; then again, I have no reason not to. Perhaps a desire to live burned on in my mother's heart. Perhaps the flames were fanned by her hatred for me, the insignificant mewling infant that had killed her.) A nurse carried me out of the roaring husk of the building and laid me in my father's arms. He cradled me, numb with grief. My father was American. He had come to Calcutta five years earlier, on business. There he had fallen in love with my mother and, like a man who will not pluck a flower from its garden, he could not bear to see her removed from the hot, lush, squalid city that had spawned her. It was part of her exotica. So my father stayed in Calcutta. Now his flower was gone. He pressed his thin chapped lips to the satin of my hair. I remember opening my eyes - they felt tight and shiny, parched by the flames — and looking up at the column of smoke that roiled into the sky, a night sky blasted cloudy pink like a sky full of blood and milk. There would be no milk for me, only chemical-tasting drops of formula from a plastic nipple. The morgue was in the basement of the hospital and did not burn. My mother lay on a metal table, a hospital gown stiff with her dying sweat pulled up over her red-smeared crotch and thighs. Her eyes stared up through the blackened skeleton of the hospital, up to the milky bloody sky, and ash filtered down to mask her pupils. My father and I left for America before the monsoon came. Without my mother Calcutta was a pestilential hellhole, a vast cremation ground, or so my father thought. In America he could send me to school and movies, ball games and Boy Scouts, secure in the knowledge that someone else would take care of me or I would take care of myself. There were no thuggees to rob me and cut my throat, no goondas who would snatch me and sell my bones for fertilizer. There were no cows to infect the streets with their steaming sacred piss. My father could give me over to the comparative wholesomeness of American life, leaving himself free to sit in his darkened bedroom and drink whisky until his long sensitive nose floated hazily in front of his face and the sabre edge of his grief began to dull. He was the sort of man who has only one love in his lifetime, and knows with the sick fervor of a fatalist that this love will be taken from him someday, and is hardly surprised when it happens. When he was drunk he would talk about Calcutta. My little American mind rejected the place - I was in love with air-conditioning, hamburgers and pizza, the free and undiscriminating love that was lavished upon me every time I twisted the TV dial - but somewhere in my Indian heart I longed for it. When I turned eighteen and my father finally failed to wake up from one of his drunken stupors, I returned to the city of my bloody birth as soon as I had the plane fare in my hand. Calcutta, you will say. What a place to have been when the dead began to walk. And I reply, what better place to be? What better place than a city where five million people look as if they are already dead - might as well be dead - and another five million wish they were? I have a friend named Devi, a prostitute who began her work at the age of fifteen from a tarpaper shack on Sudder Street. Sudder is the Bourbon Street of Calcutta, but there is far less of the carnival there, and no one wears a mask on Sudder Street because disguises are useless when shame is irrelevant. Devi works the big hotels now, selling American tourists or British expatriates or German businessmen a taste of exotic Bengal spice. She is gaunt and beautiful and hard as nails. Devi says the world is a whore, too, and Calcutta is the pussy of the world. The world squats and spreads its legs, and Calcutta is the dank sex you see revealed there, wet and fragrant with a thousand odors both delicious and foul. A source of lushest pleasure, a breeding ground for every conceivable disease. The pussy of the world. It is all right with me. I like pussy, and I love my squalid city. |
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