"Adams, Douglas - Meaning of Liff, The" - читать интересную книгу автора (Adams Douglas)


CLIXBY (adj.)

Politely rude. Briskly vague. Firmly uninformative.

CLONMULT (n.)

A yellow ooze usually found near secretions of buldoo (q.v.) and sadberge (q.v.)

CLOVIS (q.v.)

One who actually looks forward to putting up the Christmas decorations in the office.

CLUN (n.)

A leg which has gone to sleep and has to be hauled around after you.

CLUNES (pl.n.)

People who just won't go.

CONDOVER (n.)

One who is employed to stand about all day browsing through the magazine racks in the newsagent.

CONG (n.)

Strange-shaped metal utensil found at the back of the saucepan cupboard. Many authorities believe that congs provide conclusive proof of the existence of a now extinct form of yellow vegetable which the Victorians used to boil mercilessly.

CORFE (n.)

An object which is almost totally indistinguishable from a newspaper, the one crucial difference being tat it belongs to somebody else and is unaccountably much more interesting that your own - which may otherwise appear to be in all respects identical. Though it is a rule of life that a train or other public place may contain any number of corfes but only one newspaper, it is quite possible to transform your own perfectly ordinary newspaper into a corfe by the simple expedient of letting somebody else read it.

CORFU (n.)

The dullest person you met during the course of your holiday. Also the only one who failed to understand that the exchanging of addresses at the end of a holiday is merely a social ritual and is absolutely not an invitation to phone you up and turn up unannounced on your doorstep three months later.

CORRIEARKLET (n.)

The moment at which two people approaching from opposite ends of a long passageway, recognise each other and immediately pretend they haven't. This is to avoid the ghastly embarrassment of having to continue recognising each other the whole length of the corridor.

CORRIECRAVIE (n.)

To avert the horrors of corrievorrie (q.v.) corriecravie is usually employed. This is the cowardly but highly skilled process by which both protagonists continue to approach while keeping up the pretence that they haven't noticed each other - by staring furiously at their feet, grimacing into a notebook, or studying the walls closely as if in a mood of deep irritation.

CORRIEDOO (n.)

The crucial moment of false recognition in a long passageway encounter. Though both people are perfectly well aware that the other is approaching, they must eventually pretend sudden recognition. They now look up with a glassy smile, as if having spotted each other for the first time, (and are particularly delighted to have done so) shouting out 'Haaaaaallllloooo!' as if to say 'Good grief!! You!! Here!! Of all people! Will I never. Coo. Stab me vitals, etc.'

CORRIEMOILLIE (n.)